"Third Crescent" by Pedro Gómez-Egaña

Zilberman Miami is pleased to exhibit Third Crescent, the first solo show of Colombian artist Pedro Gómez-Egaña in the United States.Third Crescent showcases installations that take inspiration on the life of Cuban poet and writer Dulce María Loynaz (La Habana 1902-1997). Loynaz's life story, particularly her voluntary seclusion following the Cuban Revolution of 1959 despite her literary acclaim, serves as a narrative influence for Pedro Gómez-Egaña. Gómez-Egaña's artistic inquiry delves into the concept of the interface as a liminal space where dichotomies blur. Traditionally, an interface is a point where two realities meet, a term that speaks to the contours of interaction, a porous membrane between insides and outsides, integrity and vulnerability, technology and faith. It’s a space for decoding and engagement. The notion of interface also presents a certain kind of eroticism, as an occasion for integrities to dissolve.